A Krampus-fur Dress for Cinderella

A Krampus-fur Dress for Cinderella

A Krampus-fur Dress for Cinderella

A review of Steven Grimm’s “Villainess Ascending” in He Sees You When He’s Creepin’: Tales of Krampus (World Weaver Press, 2016)

By Derek Newman-Stille

Folklore and fairy tale collide in Steven Grimm’s “Villainess Ascending”, a tale that adds a monstrous twist to the tale of Cinderella. Grimm begins his story with the mythology that there have been multiple past Cinderellas and this one has gone through the same things as the others – a dead devoted mother, a remarried father, a stepmother and two stepsisters and like the other Cinderellas, this one doesn’t want a life of domestic servitude. Yet, Grimm adds a twist to the tale, setting the Prince’s ball near Krampusnacht, a time when the Austrian devil of Christmas, Krampus, is out prowling the world for people in need of punishment.

Krampus and Cinderella have something in common. They both want justice… and the punishment of those they view as wicked and Grimm intertwines their narratives in a way that adds nuance to both the folklore of Krampus and the fairy tale of Cinderella. Grimm’s tale draws on other figures from Austrian holiday legends as well, bringing in Frau Holle and Frau Perchta. Frau Holle (about whom the Grimm Brothers have also written a fairy tale) is able to bring on snowfall by shaking out her bedding and her tales generally revolve around rewarding people for hard work and punishing people for laziness. Frau Perchta has a more sinister presence in Austrian folklore and is generally portrayed as having two faces – one kind and gentle and the other demonic. During the yule holidays, she shows her good face to good children and gives them treats… but shows her demonic face to naughty children to punish them. Frequently she is portrayed slitting open the bellies of children, removing their organs, and filling their bodies with pebbles and straw. Steven Grimm’s Perchta isn’t quite as terrifying though she is connected to Krampus. Instead, she is a force of nature with otherworldly magical powers and an interest in seeing humanity become good rather than corrupt.

“Villainess Ascending” is a tale about the damage that patriarchy does to humanity. It is a story about the way that patriarchy has taken away rights from women and has often only allowed women success in the world through marriage rather than through their own skills and abilities. Steven Grimm’s story focusses on the messages in the Cinderella tale about beauty meaning success, about the only way for women to rescue themselves from poverty is through marriage to a rich man, and about the intentional toxicity of the prince’s ball and generating jealousy between women.

Grimm subverts the simple idea of the punishment of the wicked by pointing out that “wickedness” has social roots and is created by social structures that damage people in oppressed groups.

To find out more about He Sees You When He’s Creepin’: Tales of Krampus, visit https://www.worldweaverpress.com/store/p121/He_Sees_You_When_He%27s_Creepin%27%3A_Tales_of_Krampus.html

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Slavic Myths and Human Monsters

Check out my review of David Demchuk’s “The Bone Mother” originally posted on my other site Speculating Canada. Demchuk’s novel features fairy tales turned dark, highlighting the freakery embodied in folklore

Speculating Canada: Canadian Horror, Science Fiction, and Fantasy

A review of David Demchuk’s The Bone Mother (ChiZine, 2017)
By Derek Newman-Stille

David Demchuk’s The Bone Mother brings together snippets of strange lives into a tale that hints at connections between these individual stories and provides shadows of a larger narrative tying them together. Each of Demchuk’s tales ties in with a snapshot shown at the beginning of the story and diverts into the mythical, magical, mysterious, and monstrous. These images of the normal are interrupted by tales that Other them, transforming them into something complex and uncertain. The unexpected is a stream that runs through Demchuk’s narratives, complicating them to illustrate the way that stories always hold complex truths that are always part fiction.

The Bone Mother features fairy tales turned dark and infused with the mechanical, featuring an ever present factory standing as a symbol of industry intersecting with myth to create a landscape of smoke and…

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An Interview With Chadwick Ginther

Through the Twisted Woods interviews Chadwick Ginther, author of the Thunder Road Trilogy about his reimagining of Norse mythology and a post-ragnarok world. We talk to Chadwick about Norse mythology, Winnipeg, the way that Folklore is both highly regional and yet has the ability to move beyond its original geographic context, superheroes as a modern mythology, mapping folklore onto a Canadian landscape, the endurance of myths, monstrosity, Loki and gender fluidity, Trickster figures, and the ability to map folklore onto modern tales.

Click on the link below for our interview.

Through The Twisted Woods Audio

 

You can discover more about the work of Chadwick Ginther on his website