A review of Garth Nix’s “An Unwelcome Guest” in Troll’s Eye View edited by Ellen Datlow and Terri Windling (Viking, 2009).
By Derek Newman-Stille
Garth Nix’s Rapunzel isn’t a girl who is easily trapped in a tower. She isn’t willing to sit passively waiting for her prince to arrive. She climbs into the witch’s tower, using her hair and a grappling hook woven into it… but her hook also comes in handy as a weapon.
The witch’s cat Jaundice wants desperately to be a fearsome beast, an evil servant of a wicked witch, but her “wicked” witch would much prefer dinner parties to danger…. and Jaundice is much more interested in returning mice to their nests than eating them. But what does a not-so-wicked witch do when she has a trespasser, especially one who is not easily intimidated like Rapunzel?
Nix reverses the trapped narrative of Rapunzel, making the witch the woman who is trapped by her respect of guests… even unwanted ones. Politeness is tough, especially when there are brownies and other spirits around who will take offence if a guest isn’t treated with respect.
To discover more about Garth Nix, visit http://www.garthnix.com/
A review of Delia Sherman’s “Wizard’s Apprentice” in Troll’s Eye View edited by Ellen Datlow and Terri Windling (Viking, 2009)
By Derek Newman-Stille
Fairy tales frequently deal with ideas of children being lost away from home. Frequently, their parents are cruel but aren’t depicted as the villains of the tales, excused of their mistreatment of children. Delia Sherman’s “Wizard’s Apprentice” explores a young person who is perpetually trying to escape from home and from the violence of his home. Sherman explores the notion that home is not always equated with a sense of comfort, care, and safety. For people who are abused, home is frought with the sort of horrors that fairy tale children encounter out in the woods. Home can be a space populated by monsters.
Sherman complicates notions of home, reminding her readers that violence is not something distant, but frightfully close and present. Sometimes the only option is to escape the monsters of home, and sometimes the only way to do that is to find someone even more frightening because what frightens bullies more than someone stronger than them who refuses to be bullied.
Sherman gives her protagonist, Nick, a chance to find himself and forge a new type of family structure for himself, complicating simple ideas of family and home. She creates a family based on shared knowledge and opportunities to find new methods of overcoming seemingly impossible conditions, using magic to complete household tasks that wouldn’t be possible without learning. Nick is a dynamic character, able to shift perspectives as easily as he learns to shift shapes.
To find out more about Delia Sherman, visit http://www.sff.net/people/kushnersherman/sherman/