A review of Danielle Paige’s Dorothy Must Die (Harper Collins Publishers, 2014).By Derek Newman-Stille
Danielle Paige’s Dorothy Must Die is a tale of travel as much as it is one about the killing of Dorothy from The Wizard of Oz. Amy Gumm grew up in Kansas just like Dorothy did, but unlike that heroine of a classic story, Amy wasn’t seen as a personification of sunflowers and rainbows. She was a kid who was teased about living in poverty and called “Salvation Amy”, gossiped about constantly by the other kids in her school. She lived in a trailer with a mother who told Amy regularly that she ruined her life, and Amy had to constantly help her mother out after she passed out drunk each night.
Paige’s narrative is one of travel, illustrating the parallel lives of Amy and Dorothy, two girls who wanted to get out of Kansas. The only difference between them is that Amy isn’t sure she wants to go back to Kansas. From early youth, when her mother told her that their trailer was like living in a travel adventure to her voyage to Oz, Amy always desired travel. Dorothy Must Die is a travelogue for a girl who couldn’t get out of Kansas until a tornado picked her up and dropped her into a narrative she was already familiar with from television.
The Oz that Amy is dropped into has changed. Dorothy returned to Oz after her travel back to Kansas, but she has changed from the girl who just wanted to go home into a power-hungry tyrant who rules Oz with a gingham fist. Dorothy has been mining Oz of its magic, leaving holes in the realm and gathering all magic to herself. She has enslaved all of the peoples (and animals) of Oz.
Amy’s experience of her mother’s addiction has prepared her to deal with Dorothy, a woman addicted to magic. Paige problematically links greed with addiction in this narrative – the constant desire for more. Addiction isn’t a desire for more. It is a compulsion. Dorothy is a character who constantly wants to be somewhere and someone else, not satisfied with the way she is or the way things are. Amy has some fear of becoming like Dorothy, of moving from wanting a better life for herself to wanting everything.
Amy and Dorothy form distorted mirror images of one another, full of the potential for a switch in positions, a change in their ideologies. Amy has been asked by the witches of Oz to assassinate Dorothy, but in the process of confronting her, perhaps Amy has more to learn about herself.
To find out more about Danielle Paige, visit her website at http://daniellepaigebooks