Orwellian Uprising

Orwellian Uprising
A review of Bill Willingham, Mark Buckingham, and Steve Leialoha’s “Fables: Animal Farm” (Vertigo, 2003)
By Derek Newman-Stille


The second volume in in the “Fables” comic book series, “Fables: Animal Farm” introduces us to the fairy tale characters that can’t pass in the human world. Whether giants, talking pigs, Puss in Boots, flying monkeys, or trolls, the fairy tale characters who passed into the human world and are unable to pass as human are confined to a small village away from human civilization, deprived of common rights of movement, and limited in the activities they can participate in. 

Feeling treated as second class citizens, many of the residents of The Farm want to challenge a system that divides characters by appearance. But, these beings from fairy tales of the past are integrated into a tale of the present as George Orwell’s “Animal Farm” becomes a modern text that weaves into this tale of exploitation and class difference. Like in Orwell’s tale, certain residents of The Farm decide that they can exploit the anger that the residents all have over being treated as second class citizens in order to take over their society. 

“Fables: Animal Farm” explores ideas of class conflict, but it also interrogates ideas of segregation of certain populations, and the residents of The Farm remind the reader (and the human-looking fairy tale characters) that no matter how good the buildings are in a segregated community, it is still a prison when you are unable to leave. There is a commentary here on other institutions that segregate disabled populations or aged populations from an able-bodied population that consistently expresses a desire not to see people with disabilities or the aged. The residents of The Farm are similarly hidden from sight, removed from social interaction, and isolated. Indeed, they represent their isolation by playing on William Golding’s Lord of the Flies by slaughtering one of the Three Little Pigs and placing his head on a pike. The characters use this symbolism to illustrate that their isolation, rather than their bodies, have transformed them into animals and monsters. 

In “Fables: Animal Farm” Willingham, Buckingham, and Leialoha illustrate that texts have power, and, particularly, that they ask social questions. Mixing fairy tales with some of the social commentary from Orwell and Golding’s tales, “Fables: Animal Farm” reminds readers that fairy tales and other stories that we tell ourselves are our way to understand our place in the world and that tales should be revisited because every time we revisit them, we observe something new and relevant.

To find out more about the Fables series, visit Vertigo at http://www.vertigocomics.com/graphic-novels/fables-vol-2-animal-farm 

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