The Emperor’s New Clothes is an intensely visual tale, exploring ideas of dignity, performance, and the ostentatiousness of royalty. But, fundamentally, it is about what is not there – the absence of art, the absence of clothing.
Clothing is a way that we perform our identity, the way that we illustrate who we are. It is an art that is linked to identity. The Emperor in the tale is caught between the power of the spoken word to create clothing (by describing it and convincing the court of the presence of the clothing), yet the clothing is not physically present. It is not something that exists except in the descriptive sense.
Art work about The Emperor’s New Clothes is simultaneously about what is there and what is absent.
(from Fairy Tales by Hans Christian Andersen, New York: Brentano’s 1916)
Clarke portrays the Emperor as a mix of nudity…
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