Medicalized Mermaids

Medicalized Mermaids
A review of Joe Brusha, Meredith Finch, and Miguel Mendonca’s “Grimm Fairy Tales Presents The Little Mermaid” (Zenescope, 2015)

By Derek Newman-Stille

“Grimm Fairy Tales Presents The Little Mermaid” was initially a bit off-putting since the art seemed to mirror the comic book exploitation of women’s bodies, but Brusha, Finch, and Mendonca present a Little Mermaid tale that explores the clash of science and fairy tale. Erica, the mermaid, has spent her life uncertain about her background or parentage, but she knows that she is able to take the form of either mermaid or human. Her destiny and identity are taken away from her by scientists who seek to unravel the magic of her body to adapt it for military purposes. Her body ceases to be a vessel of magic and becomes a vessel of war as her biological uniqueness is spread to others.

Erica finds herself caught between worlds as the armies of Atlantis clash with the scientifically constructed creatures of the surface.

Like Hans Christian Andersen’s tale, Zenescope’s comic is a tale of fluidity, of change with a mermaid trapped between worlds and identities, seeking out an understanding of herself and her position in a world that has been torn in two. This is a story of science clashing with magic, medicine colliding with wishes, and above all, it is a story about uncertainty.

The graphic medium of the story allows for an exploration of the physicality of the mermaid, illustrating Erica’s transformation between forms and the horror that runs like a tide through this story of different types of embodiment.

To discover more about “Grimm Fairy Tales Presents The Little Mermaid”, visit http://shop.zenescope.com/the-little-mermaid/

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